Currently our site is international, representing over 100 artists from around the world. We drag have poets, musicians, painters, sculptors, digital artists, performance artists, animators and much more. We are always open to adding artists in new areas. To reach the artists here, you can visit their studios and see their email address. If you would like to reach the site webmaster, our email address. Art on the Net came into existance racing in June of 1994. The idea of having such art a site came to Lile while she was involved in an open studios event in April. She was displaying many of her new oil paintings in her studio when a friend and young entrepeneur came through and wanted to purchase drag an oil painting entitled "Art on the Net". They talked about how wonderful it would be to have art up on the Internet for viewing and he offered Lile internet access for a WWW site that would help artists share their art. So like many things in the art world, the site began racing with a barter with Lile art trading the oil painting, "Art on the Net" for an Internet connection drag for one year.

Sheila also did collaborative printing with Rauschenberg, Frankenthaler, Motherwell, Arakawa, Segal, Wegman, Shields, and many others. In racing 1990 she was honored with a 25 year art master printers show at Rutgers Zimmerli Art Museum in New Brunswick, New Jersey. In January 1994, assisted by artist friends, Sheila drag developed a new monoprinting process utilizing the silk screen medium, yet enabling the artist to work directly on the silk using almost racing all of the drawing tools they are used to using on paper. Art on art the Net is a collective of artists helping drag each other racing to come up on the Internet and share their works on the World Wide Web. Artists create and maintain studios and rooms in the gallery where they show their works and share about art themselves.

Do not store or display works of art in areas of potentially high humidity or water leakage, e.g. basement, bathroom, outside walls, under pipes. Avoid areas where temperature and humidity drag fluctuate, or where there is inadequate air circulation, e.g. attic and places listed above. Do not hang racing artworks over or under radiators, heating and cooling vents, active fireplaces, humidifiers, art and drag and vaporizersA. The hygroscopic nature of wood means that it will take water from the atmosphere racing and expand, but it will contract as art the humidity lessens. The direction of shrinkage is almost always around the circumference, which causes a solid piece of wood to crack vertically. Keeping it in a steady relative humidity can stabilize the sculpture; if the wood does not absorb or release moisture, it will no longer expand or contract.

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